Ascending Chaos

Wednesday, September 06, 2006

Since Singapore Idol is a complete bust this year (Paul Twohill and Jasmine Tye in the final 4? Come on!), my reality-show-disguised-as-a-talent-search fix is being supplied by Rock Star: Supernova. It's a strange old show; half old-fashioned showcase of some pretty talented people, one-quarter freakshow headlined by Tommy Lee and one-quarter classic manipulative reality drama with unsubtle editing.

Usually, I prefer it when they stick to the singing and forego the drama. For this show, though, up till very recently, the backstage drama has been oddly compelling. Ryan dissing Dana, Dilana dissing everyone, Dilana’s subsequent meltdown – not pretty and not enjoyable, but compelling. Of course, the Drama of Dilana's Descent is getting depressing now. It has become just plain discomfiting to watch her. A little like that moment in the Survivor: Exile Island Reunion, when Jeff asked Tina the lumberjill about her deceased son and she got all bright-eyed and emotional.

The funny thing about this is that Supernova is about as trumped-up a concept as you can get. A Tommy Lee project, a band manufactured for the purposes of a reality TV season. And yet, it has attracted real musicians, many of them professional performers with indie cred. There is a strange discord watching all these career musicians vying for a job with this band that nobody can take all that seriously. I think all these people, even the ones I don't care for, deserve better than Supernova's probably limited shelf-life.

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Thursday, August 31, 2006

Finally, at long last!

Eliminated today:

From Rock Star: Supernova - overwrought, over-intense, over-angst-filled emo-kid Ryan Star.

From Singapore Idol 2 - non-singer, all round nice-guy Joakim Gomez.


Joakim is 18 and Ryan is in his late 20's. Of course, that means that the teenager gave the gracious, classy exit speech, while the chronological grown-up was sullen, sour and about as mature as an 8-year-old. Bah to these wannabes and their inflated sense of self-importance. Of course, if Ryan was less full of himself, he probably would not have ever been cast in Rock Star at all.

Kudos to Joakim for handling his elimination in just the right way. I think he must be rather relieved to finally have the pressure taken off him. I could hardly bear to listen to his singing, but he does strike me as a very nice fellow. I do think he will very soon be on our TV screens, perhaps doing a spot on a Channel 5 sit-com, or flogging some cool consumer product targetted at tweeners. To his credit, I do think he sounded somewhat better last night than he ever had. It is always nice to leave on a high note, after a good performance.

As for Ryan Star, EVS, as his pal Toby Rand would say. I admire his musicianship, but he was a very inconsistent singer. Besides, there is only so much of that emo-intense thing that anyone can take or listen to for any extended amount of time. (Someone needs to tell Rahimah Rahim about it before she turns out like this, all equipped with dark eye make-up and a laughable inability to smile.) With the bottom 3 performance he gave, he definitely did not leave on a high note. Baba O'Riley is a great, great song and one I always find myself humming when it comes on at the start of CSI:NY. Ryan made it well night unlistenable, choosing volume as his way of modulating. Ugh. EVS.

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Thursday, August 17, 2006

Seriously, Singapore ....

WTF is going on with the Singapore Idol voting this year?

Even the trailers and ads have started admonishing viewers that "this is a singing competition". The judges are in on the act, Gurmit is doing his bit, and even the ousted Rahimah Rahim has thrown in her 2 cents' worth that it should be "about the vocals".

Listening live to tonight's elimination - Mathilda, Jonathan and Hady in the bottom 3. Good heavens! Gurmit is reminding us again that SI is looking for a singer. Yeah, well, the judges and producers should have kept that in mind a few months back when they put these same people through to the voting rounds!

Awww, Mathilda is out. I guess she really did not connect that well with audiences and her scary-eyes act is less successful than Storm Large's on Rockstar: Supernova.

Ken is scolding the teeners and tweeners for basically being idiotic. Haha, love it. Unfortunately, this would probably spur them to vote twice as often for the tone-deaf brigade next week.

Awww, Ken is being really nice to Mathilda, certainly nicer than he has ever been to her during judging. He is acknowledging that she has a voice and can sing. He is also not-so-subtly putting down some of the other contestants. I don't often agree with Ken, but this time? You go, Ken!

Geez, SI voters. Singapore is always first-in-world at so many things, so much so that a book has been written about it. Will Singapore have the dubious distinction of voting in the first tone-deaf Idol?

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Friday, August 11, 2006

Idle Musing: Singapore Idol

The best thing about Singapore Idol is probably the guest performer spot on the results show. For five blessed minutes, we actually get good singing on a Singapore Idol episode!! I think having this spot is also the biggest mistake the producers made.

Coming hot on the heel of a SI performance recap, the guest performers show up this year's SI hopefuls so badly that it is just embarassing. Is there one person in this year's crop who could have sung as well as Olinda Cho did a couple of weeks ago? I thought Olinda was great in the first SI season and she has shown growth as an artist, pulling off a beatifully restrained yet impassioned version of "You don't have to say you love me". Mathilda is this year's Oli, but she's all brass and sass and very little tenderness. In her hands, this song would have sounded like an Aretha Franklin remake (not necessarily a bad thing, of course, but Mathilda is beginning to be just a tad one dimensional). I don't even want to think about what Jasmine, and to a lesser extent, Rahimah, would have done to this. Cringing would probably be involved.

If Oli was a difficult act to follow, what about Kit Chan? Man, she just about took those Idol contestants by the scruff and slapped them around all the way back to their singing teachers. She just kicked complete and total ass tonight and showed these wannabes how it is supposed to be done. If this lady had slightly more appealing orthodontics, she would be a bigger superstar than Steph Sun.

Some thoughts on the performance show (I refuse to call the performance shows the "Spectaculars" - whose bright idea was that?):

... National Day stories, oh yay (not)! Give the kids more time to sing and cut out these boring pre-song stories!

... Wow, all these emo kids dedicating their songs to their dads et al. Okay, I will have a heart; it was actually quite touching.

... "The Living Years" !! A favourite song from my university days! Why is Mathilda singing it like some up-tempo R&B dance track? It's a sad, sad song with very poignant lyrics - not a clap-along! Girl can sing, but this was wrong.

... The "Friends" theme song. Hehe, if you aren't strumming a guitar while singing this, you're pretty much going to come off like a dork singing this song. Oh, poor Joakim, like you don't have enough working against you.

... What's with Ken ? He's getting to be rather bitchy - like a nicer, less funny Simon Cowell.

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Wednesday, July 26, 2006

Prepare to Cringe: Jazz on SI

Listening, not watching. Stream of consciousness post, as they sing.

Jay: Have you met Miss Jones?
The Bridget Jones song! Sounds nice, vocally spot on. A little studied - the second chorus did not vary much from the first, right down to the phrasing. Seems to be having fun, but the boy can't swing. Dick is a little harsh, I think, although not inaccurate.

Rahimah: Dream a little dream
Hmm, what a weird song to choose for our rocker chick. Sounds breathy, weird phrasing. Song totally not suited for her voice. Not tender enough. Ken is really intent on pigeon-holing her as the angsty rock teenager, ala Avril Lavigne. What kind of artistic growth will she have under his management?? Run, Rahimah, run!

Joakim: You Send Me
Hey, Taylor did this on AI. Bad song choice - if he bombs, people will be saying he was asking for it : "You Send Me ... Home". Vocally, huge improvement over last couple of weeks. Lacks power, dynamically flat but fewer rough spots than I expected. Awww, the boy is so grateful to Florence for her encouragement. Wow, Ken is way overboard with the harsh critique. It was not that bad.

Hady: I've Got You Under My Skin
Oooh, cool song! The ultimate rat-packer song. He's doing a modern, almost R&B-ized version. Interesting phrasing and improv (true to the spirit of the genre). Voice seems a bit rough (sore throat, perhaps?), but very well done overall. Hmm, is Ken playing the constructive criticism card or was he writing Hady off with that comment?

Emilee: Let's Make Whoopee
Ahh, the flirty, sexy song. Wonder what she's wearing? Sounds a little under-energised to me, but the song suits the kind of edge she has in her voice. For once, she sounds less Chinese than she usually does. Ja said something constructive! What is Ken on about? Why should she "understand the jazz genre"? Talk about putting people into boxes. She might have a lounge singer image, but the girl is a R&B singer!

Paul: Moondance
The song that shot Taufik to front-runner status (IMO) last season! Not as smooth and suave as I usually like to hear this song. Again, very strange phrasing, but distinctively Paul, I suppose. No noticeable pitch problems, big improvement from last week. I think this was emo-boy doing jazz, which was a strangely successful experiment. Ooh, Ken gives good advice about using his natural sincerity.

Jonathan: Kissing a Fool
George Michael!?! But cool modern jazz song. Wow, showing unexpected range here. Okay, settling into some of his usual rock edginess. Ahh, high notes quite well controlled, whew! An unexpectedly strong showing from him in a genre that I did not expect him to necessarilt excel at. Wow, Ja just admitted to being biased towards him! Ken is definitely playing the constructive criticism card, despite calling it a disaster.

Jasmine: Almost Being in Love
From Brigadoon. The other Jasmine, J. Trias from AI3 destroyed this a couple of years back. Started okay, sounded quite clear and strong. Ooops, spoke too soon; she's getting a little broad and squally here. Her voice just needs more training. Still, big improvement from last week's complete mess. Ken is being kind to the teenager, but not making much sense. If she didn't choose Sinatra, who should she have chosen? Nobody in the jazz catalogue is going to be a fit for Jasmine. Besides, Sinatra has sung practically all the jazz standards and many of the newer compositions as well.

Nurul: The Way you Look Tonight
Michael Buble's TWYLT? Huh, my dear Nurul, this has been performed by a million people before Buble got his hand on it. Great song, also previously destroyed by Jasmine Trias. Breathiness apparent. Okay, she's singing the Buble arrangement, I suppose, less jazz and more like elevator/lounge music. Don't care for this treatment at all - too much saxophone and not enough bass. Vocally okay, but interesting to me. Judges' comments are also somewhat blah. I think they know she's not long for this competition.

Matilda: Feeling Good
Buble again?? Feeling Good is not a Buble song!! Kids, listen to more jazz by REAL jazz singers, please! Ooh, jazz gets the Mariah divaesque treatment from Matilda. This arrangement is far, far too Vegas / cabaret for my liking, distracting me from her vocals. Wow, this is vocally the most challenging song of the night. She shows she can sing up a storm, and there is some warmth to her voice tonight. But is it too much show-off again? Ja makes really good sense on wanting less drama from her. Ken said practically the same thing, strangely enough.

Oli is on tomorrow night!! Yay! Hope she does jazz, she did a really cool version of Fever last season when they had Classics and Big Band night.

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Friday, June 30, 2006

SI Wild Card Results Show: The Pleasures of non-viewing

I listened again, without the visuals. This is probably the best way to get through SI without having to cringe or roll my eyes. Of course, it means I miss out on making fun of Florence's hair and Dick's attire. But I think I am rather glad not to have to seen the interviews with the parents (listening was plenty fine enough, thank you) and especially glad to have missed the visuals of Jay Lim's emotional response (not knocking him for crying, which is perfectly a perfectly understandable and acceptable response, but I wish Idol would just stop making people sing when they are barely able to speak).

On the heels of the best competition show, we had the most satisfactory results show so far. I guess it was not much of a surprise that Mathilda, Jay, Gayle and Norman would be the 4 getting into the Final 12. However, there was some uncertainty as to who among them would get the popular votes, and this kept things interesting.

I am pleased as punch that the best 2 SINGERS, Mathilda and Jay, were the people's choice. I hope this bodes well for their chances to go further in the competition than some of the cute young things that they are keeping company with.

My early favourites are Jay, Mathilda and Hady. I hope I haven't jinxed them!

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Thursday, June 29, 2006

SI Wild Card Show: Audio review

I listened, rather than watched the SI Wild Card episode. Audio was courtesy of TV Mobile's 89.3 FM audio chanel, on my Creative Zen Micro's FM receiver. I have to say the sound quality and fidelity were far superior to what I head off my TV (although, to be fair, I usually record SI and the bad sound might have more to do with my oft-recorded VHS tapes).

SI is a MUCH better show without the visuals. The garish circus-like quality of the show is completely undetectable when I cannot see the glo-pen signs, Gurmit's smirk and Dan's mugging are both thankfully unseen and best of all, I could just listen to the contestants and not be distracted by their (usually bad) styling and awkward stage presence.

Thoughts on last night's hopefuls:

Geraldine: L.O.V.E.
Ooh, I love this song. Ugh, she butchered it. This was seriously bad singing. Flatter than a runway.

Siew Woon: Fever
Not a bad voice, but she has no idea how to use it properly. This sounded okay, but lacked the smoky quality that makes the song work. On the basis of this, I think this is a competent singer with promise and much room for improvement.

Primero: I Live my Life for You
Geraldine actually has competition for worst performance of the night. Vocally, this was a complete mess and the song is hardly the most testing number in the pop repertoire.

Mathilda: Run to You
She blows every other female singer in this competition completely out of the water. Her technique is by far the most assured and I really like the tonal quality of her head voice. It takes guts to take on Whitney Houston, and she pulled it off with panache, without ever sounding like a sub-par copy.

Norman: These are the Days
He has a pleasant, if undistinct voice. To his credit, this was a very steady vocal performance, without any clear vocal flaws, apart from a tendency towards mush-mouthiness. I did not care for the song, which tends towards tedium when performed by singers with less charisma than Jamie Cullum.

Gayle: Beautiful Disaster
The girl sure likes to choose difficult songs! I thought she sounded a million times better than during the piano show. She has a sweet tonal quality and with more training, could be a very decent singer. She has to watch the tendency to indulge in melisma and a slight whininess on several notes.

Jay: Solitaire
Well, coming from this Clay Aiken fan, this was a very good vocal performance. This song scores high on difficulty and Jay is one of the very few contestants this year with a prayer of pulling it off. I like the fact that he is technically a secure singer and I very much like the bell-like clarity of his upper register.

All in, the strongest competitive show by a mile since we got into the voting rounds.

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Wednesday, June 28, 2006

SI Speculation: Drumming up the Drama

Controversy has hit Singapore Idol. I suppose it was only a matter of time. Last year, we had Top 12 contestant pulling out before the finals started (gosh, what was her name again? I just remember her as the rather pretty girl who sang Alicia Key's I ain't got you during the piano show).

This year, we have a contestant, Meryl Joan Lee, pulling out of the wild card round to focus on her studies. Well, all this pulling out business is rather old hat by now. Not really worth the column inches, IMO. Besides, she was not even a Top 12 finalist, just an over-rated and over-praised wild-card returnee.

(On that subject, what were the judges smoking last week? Meryl's singing was off-key and screechy, and the melisma was out of control. I felt it was the 2nd weakest performance of the night. And yet, the judges were falling over themselves to let her know how great she was. At least Florence acknowledged during the Results Show that Meryl had pitch problems. I guess they do sound different in the studio compared to what we hear on the TV telecast. Still, I cannot believe that such off-tune singing was not more apparent to the judges.)

The REAL controversy is Computer Glitch-gate. Matilda de Silva, initially declared one of the Top 12 finalists, has now been relegated to a place in the Wild Card show. Nurul Maideen, originally not among the top 2 vote-getters that night, is now a confirmed finalist.

All this was announced through a Mediacorp representative. With all the emphasis on transparency and accountability, it's a good thing that the mistake has been acknowledged and made a matter of public record. It could have been just as easy for the SI producers to quietly put Nurul through as one of the Judges' choices on the WC show, and nobody would have known any better.

It is also just as well that this glitch happened at this stage of the competition, and not during the Top 12 finals, or worst of all, during the top 2 voting! One shudders to think about the fan fall-out in those cases! The fact that there is a Wild Card fall-back was a lucky break for the producers, who have emerged from this relatively unscathed. They must really have good spin-doctors because I expected more outrage from viewers, and perhaps even suspicion over the vote-tallying process. Fans of earlier eliminated contestants could have been clamouring for proof that their favourites were not similarly victims of such computer glitches. People who spent their hard-earned 60 cents per vote could be demanding for their money back. So much potential for true drama, and not very much came out of it. Sigh.

I have a far-fetched theory that this computer glitch is manufactured drama. The season has been a little too smooth-sailing so far, with all the expected favourites going through, and the judges pretty much being spot-on with their predictions. No equivalent of a Jerry Ong scenario, or a shock non-progression of talents like Beverly. The closest thing we had to an upset was Emilee Kang supposedly taking the spot that was expected to go to Meryl Joan Lee. Of course, those of us who watched a different show from the judges could hear that Emilee outsang Meryl by a country mile, so it was not such a big shock at all.

In the place of real shocks, an incident like this computer glitch gives the chin-waggers something to gossip about. The BUZZ, after all, is the most important thing about a show like SI. It could not have happened at a more opportune time, with SI battling the World Cup for its share of the public's interest.

Of course, I don't really think the producers deliberately manipulated Glitchgate. It's not worth the reputational risk. But, insofar as there is a best time for a glitch to happen, this happened at the best possible time.

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Friday, June 09, 2006

SI Bitching Part 2: Judge and be judged

One of the most enjoyable aspects of watching American Idol is unravelling the contestant "pimping". This is that wonderful practice of propping up chosen contestants and subliminally telling audiences to vote for them. It is an intricate endeavour, calling into action the talents of lighting directors, stylists, make-up artists, musical arrangers, band musicians, even the lawyers who get copyright clearance for selected songs to be sung on the show. Of course, the ones with the most influence are the judges. With a few well-chosen comments, they can sway opinions and therefore, outcomes.

I never saw much "pimping" in the first season of Singapore Idol, although Ken Lim came close with his early championing of Sly. On the whole, I thought every contestant got equal treatment from the backstage staff and the judges' critiques did not show undue favouritism.

This season, however, the pimping has started early and is getting out of hand. A handful of contestants got disproportionate amount of face-time in the first two episodes. As if that was not enough of an upper hand to have, they received undue praise from the judges for the piano show performances.

Three cases in point: Jonathan Leong, Rahimah Rahim and Gayle Nerva. Jonathan and Gayle got special video clips in the first episode, while Rahimah had extended airtime with the whole "2nd song" drama and her show of tears on the theatre audition episodes. They predictably got through to the top 28. No surprises there.

Then they sang. And the judges promptly lost their critical listening skills. What was that about?

True, these three did not stink up the joint, but these were not GOOD performances. Jonathan lacked control and was vocally sloppy. Rahimah was one-note and clearly did not understand what she was singing (not could we understand her because of her atrocious diction). Gayle was flat on her low notes, screechy and stretched to a string on her top notes.

Listening to the judges, you would have thought they hit some of the heights reached by Taufik, Olinda, Jeassea and Beverly last year. Not even close.

Sure, they stood out amidst the sea of s**t surrounding them, but how hard is it to stand out from s**t? A little constructive criticism would not have gone astray.

Of course, that would have meant exposing the generally poor talent in this year's crop of hopefuls. That's a big no-no. If we have learnt anything from American Idol, it is that the judges are contractually bound to proclaim that "this year is the BEST group of singers we have ever had".

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Thursday, June 08, 2006

SI Bitching Part 1: These kids are singers???

Before this blog becomes the World Cup blog in the next four weeks (I am so excited just counting down to the kick-off tomorrow night!), it will be a temporary Singapore Idol rant blog.

Based on the first 2 piano shows, I am just aghast at the talent and skill level on display. If these people are the top 28, I shudder to think about others in the Top 100 that got eliminated at the Theatre Audition stage. They must have been horrendously bad to the point of tone deafness.

I know that Singapore is a small country and the talent pool is smaller etc, hence we cannot expect to find talent comparable to what we see on AI. I don't think the AI contestants are all that great, honestly, but the SI contestants make Taylor Hicks sound like frigging Placido Domingo. Never mind not being able to find as many talented people, the overall standard is so embarassingly poor, they have not managed to find even ONE indisputably decent singer. The best that we have seen so far would probably not even get to go to Hollywood if they auditioned for AI. The piano shows have seemed more like extended bad auditions than actual performance episodes.

Sure, most of them have something going for them in their quest for idoldom; in most cases, extremely telegenic smiles, and in other cases, "interesting" self-identities. But not a single one has shown that he or she is just plain and simply A GOOD SINGER. Imagine that, a good singer on Singapore Idol. Maybe they missed Simon Cowell's memo that this is, on occasion, a SINGING competition.

Is karaoke the only training these people have received? Have none of these kids ever taken a singing lesson? I don't mean studying with Lee Wei Song or enrolling in an expensive music school, but just simple stuff that a school choir teacher could teach. Like how to support a note on a breath and how to sing from the diaphraghm. Like learning the meaning of the lyrics and bringing that out in a performance.

What happened to the talent in Singapore? I assume that they just did not audition for Singapore Idol, or we could not have ended up with a top 28 that contained these 14 not-so-inspiring performers. I mean, I have heard better performances in hotel lounges and in bars. Heck, I think you could probably hear better singers at a college jam and hop.

I think the judges are grasping at straws and all except Ken have resorted to praising people that would have been canned last season. Even Ken has basically nattered on about "potential", which is probably code for "you look the part and as for the singing, we'll fix it in the studio."

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Singapore Idol 2: PYTs, Ingenues and the rocker chick

It was ladies night at Singapore Idol and one could be forgiven for thinking it was a beauty pageant. Obviously, after last season's experiment with cutie-pies (Leandra and Daphne) and non-conventional types (Olinda and Maia), the producers have decided to return to a more familiar formula: doe-eyed pretty young things and cute girls with sex-symbol potential. That's the way to draw in the teenaged boys and NSmen votes.

And then there was Rahimah Rahim, but more on her later.

Geraldine: I will survive
Energetic and vivacious personality, which could get grating if we had to watch her for a full season. I did not appreciate the “Where are my fans? Cheer for me!” bit. Coming from a 16 year old, I did not find it arrogant, just misguided. She can perform up a storm in that she isn’t afraid to look like a fool on stage. While her voice was far too thin for the song and vocal dynamics completely non-existent, she ended up being one of the better performers on the night (Ken was right about this – she did not do too great herself, just that most of the rest were worse). She could have a career as a teeny-bopper idol, singing bubble-gum pop songs where the singing itself doesn’t matter as much as looking cute

Melissa: I can’t live
Oooh, one of those girls that always look just slightly older than their actual age. That's not going to help her in this business. Florence's critique was a nice way of saying "You look old". She did that annoying thing that AI contestants do all the time; pitching the song way too low for her range, just so that she can belt out the octave-change part of the chorus. The beginning was a mess and the end was just okay. Pity, because her voice does have a very pleasant tone to it.

Milly: Colours of the wind
When two of the judges start of their critique by praising the way you look, you know the singing must have been bad. If this had been the audition rounds, she would have gotten her marching orders halfway through her second line. This was a complete train wreck, off-pitch in so many places, strange phrasing and badly enunciated. Was it nerves or complete lack of any training? She did look very sweet and that might get her some votes.

Siew Woon: Are you happy now?
I thought her singing voice was among the strongest and her vocal technique among the most assured of the night's contestants. The song, though, was just a big NO in my books (I cannot stand Michelle Branch) and made for a performance that lacked zing. I suspect this girl has a fun personality and she was trying to bring that across, but there was a breakdown in communication somewhere. Besides, this is NOT a song to have fun with. It’s a mean, (w)angst-ridden number. Is anyone paying attention to the lyrics?

Rahimah: Don’t speak
I am not wild about the hair or styling or the rock pretensions, but the girl undeniably has talent. It's very raw talent, but perhaps that lack of polish is part of her distinctive edge. I personally thought she butchered the song, with her affected vocal growling and her horrendous enunciation. She's that sort of interesting contestant - while I hated her performance and she probably will never be my cup of tea, I can acknowledge her potential and hope that she makes it far in the competition. I will probably hate every performance she puts on because her mush-mouth drives me wild (and judging from the painstaking way she spoke during the pre-performance video, even elocution lessons might not help), but I would like her to stick around just to add some variety.

Jasmine: Love will find a way
Just as Jonathan Leong is Sly with a system upgrade, Jasmine is Daphne with an Operating System update. Daphne is the sort of cute that inspires cheek-pinching, Jasmine is the sort of cute that invade the dreams of teenaged boys. Her singing was no great shakes and she was noticeably flat in more than one spot, but the performance was engaging and likeable. I don’t really see star quality but that could be moulded. If she get through to the finals, I would like to hear how her voice holds up to different genres.

Gayle: If I ain’t got you
She reminds me of Candyce Toh from Project Superstar, with the same slightly sulky demeanor (it’s just the shape of the mouth, not a comment on personality) and the same tendency to look as if she is going to have an emotional meltdown on national TV. She was so obviously thrown by her missed entrance into the song, and I thought she struggled from thereon end. She has a good voice and shows hints of having some chops, but her confidence was visibly shaken and her technique abandoned her on this rather demanding number. She was painfully flat during much of the chorus, which she wailed rather than belted. I also got the impression that she knew she was blowing chunks, which properly bodes better for her than her performance or the judges’ overly uncritical comments.

One thought - what is with all the teenagers in this group? And why do they all look like anime characters, with their large eyes, rosy cheeks and perky noses? Are they trying to find the next Mandy Moore / Britney Spears? Quite a few of last year's memorably talented ladies (Olinda, Jeassea, Beverly, Shirin, Nana - all of whom blow tonight's group to Uranus and back) would not have made the cut if they had used this screening criterion.

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Friday, June 02, 2006

Singapore Idol 2: The Battle of the Bengs Begins

I called it before Florence Lian did. To be fair, I think that the forums might have called it before I did; but I did not check until days after I thought of it, so I will still lay claim to the TM, thank you very much.

Immediately after the SI2 "theatre auditions" show on Sunday, I said to myself, "Jonathan Leong is like Sylvester Sim with a system upgrade. Taller, nicer looking, smarter-seeming, better-sounding."

Then Florence says it on national TV, although she left out the bit about Jonathan being taller, nicer-looking and smarter-seeming. She did not actually said he was better-sounding, but I think that was what she meant.

And so, with one innocuous judge's remark, the battle lines have been drawn. This will turn out to be the Clay-Ruben match-up of Singapore Idol. This will be bigger and tighter-fought than Taufik-Sly; anyway, that turned out to be a landslide for Taufik (hello, double the votes AND double the album sales) so it was never that much of a battle in the first place.

This one will be a BIGGIE. Never mind that the two duking it out are not even in competition with each other for the SI title. The fan-girls are armed with their poster-making supplies and scream-ready vocal chords. Jon vs Sly! It's ON! Who has the "magic"? Who has the craziest fans? Will Jon get Ken to bust out the "X factor" comment earlier than he did with Sly last year? Will Jon have a crazier fan than the unemployed Sly fan-girl who proudly showed off her astronomical phone bills to the entire nation? Will Sly have to fashion a new trademark "scrunch and point" gesture to revitalise his fan-base?

I am not on the Jonathon band-wagon, but he has Sly beaten to smithereens in my books. He's not a fantastic singer by any means but his voice has a very pleasing bass tone which I think will record quite well and is better suited to rock pretensions than Sly's voice. The boy should get himself some proper vocal training, though. He may actually be thicker than the bricks at the American Embassy (and I would not assume that he isn't just because he is a NUS poli. sci. undergraduate), but the important thing is that he looks smart. In case anyone hasn't noticed, this is a marked departure from Sly's "blur sotong" countenance. And just from the way he told his fans last night, "Your votes will not be wasted", he sounded like Martin Tyler next to Sly's Andy Gray. I even think the whole "laid-back attitude" thing he has going is probably genuine.

Of course, early season favourites don't usually go on the win the whole she-bang. I think the judge's open championing of his chances might harm him in the longer run. Last season, the judges were all over Jeassea and Beverly and look where that got them. But then again, Ken's love affair with Sly also started rather early during the Wild Card show, and Sly was a judges' favourite in the initial rounds before he lost his sense of pitch and they lost patience. He still managed to end up as runner-up and gave his fans plenty of fodder to liken him to Clay Aiken and imagine him blazing a path of Idol-whooping glory in his album sales (as a Clay fan, this was just unspeakably galling to me). Who knows, Jonathan might get that far, or even further. Judging by the high-pitched screaming last night, I would not bet against it.

Oh, there were other contestants in the first group of 7 boys. Jeez, talk about making life easy for the voters. Was there any doubt at all that the two most impressive performers were Jonathan and Paul? Not that they blew the joint away or anything, but the rest were just so mediocre. I think I saw better performances in my secondary school year-end concerts. I hope the other groups are more competitive than this, or we could have contestants in the top 12 that are actually worse than good old Jerry from S1. Whoa, scary thought!

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Friday, March 18, 2005

Idol Gossip

Their faces were splashed all over the local papers these past 2 weeks. It really demonstrates the power of hype and buzz to sustain interest in people that you would otherwise not think twice about.

I am talking, of course, about the "secret" aborted marriage of Sylvester Sim and Maia Lee, finalists of the Singapore Idol series. It's been suitably filled with lies, retractions and contradictions. First, it's a hoax, a setup. Oh no, it's not, there's physical evidence from ROM in the form of an application for a marriage license, showing both person's names. Then, she says that they have broken up over the phone, and hilariously, she labels herself and Sly as "Romeo and Juliet". Two days later, he's abjectly apologising to the entire media community and saying that they are still together.

But as scandals go, it's really rather tame. No drugs, no stories of wild, decadent parties, no parental outrage over the single mother. Hell, not even a jealous fangirl Sly groupie on a murderous rampage to rid herself of the "competition". B - O - R - I - N - G.

These are just two kids who did not have enough maturity to think through the consequences of their actions. These kids are public figures, for better or worse. They project a public persona to us to support them and buy their albums. How much they choose to tell about themselves is up to them. By not choosing to maintain their personal lives as truly personal, they have invited speculation and analysis of their behaviour and their characters. I don't know them personally, but I don't feel bad about inferring character traits based on their public professions. Maia has said before that she does not care what people think about her, as we don't know her. I think that's fair enough. The point is this: I am not forming impressions of them as people, but of the public personas of Sly and Maia. This, they SHOULD care about. In an ideal world, we would buy music on the merits of the music and not the perceived personality of the musician. But it's not an ideal world. And the success of Idol has been largely due to engaging the audience to see the contestants as real people, and not just as voices. In the end, the fact that consumers don't buy purely on the basis of the music actually works to the benefit of the musician.

For me, Sly comes out of this as a not-too-bright boy who went too much with the flow, and heeded either his emotions or his libido (let's get real here) too much. The interviews with the media after his return from Taiwan have been earnest and apologetic. However much he claims that Artiste Networks had nothing to do with any of this, he sounds as if his minders have sat him down and given him a stern talking-to about the importance of image management to a new singer riding a wave of popularity based on potential rather than actual achievements. His naivete is almost touching, but signals how throughly unprepared he is for marriage and step-parenthood.

As for Maia, she just seems emotionally volatile and confused about the image she wants to project. On the one hand, she is edgy, tattooed to a T, performs like a uninhibited vamp and doesn't much care what other people think about her life choices. On the other hand, she protests that her pregnancy was planned, she was a school prefect and that she is quiet and serious. She "promoted" an ex-boyfriend to fiancee status during her run on Idol, presumably to project a more family-friendly image or to keep media snoops at bay. Despite Ken Lim's total hogwash about her having "life experience", I think she's still essentially a kid who grew up too fast in some ways, and has not grown up enough in many others.

Personally, I think neither are that special as performers and musicians. Or even as "stars".

Maia has a good, if slightly breathy, voice and is an accomplished stage performer, but despite the tattoos and the moves, she's not memorably different from what you may see in a Vegas floor show. On Idol, she had more show-womanship than any of the other female contestants but I sometimes thought there was something very self-conscious in her performances. It appeared as if she was reminding herself to have fun, rather than actually enjoying herself as she performed.

I cannot see any of the much vaunted X factor that Sly is supposedly blessed with, although I understand that it's a case of one man's meat and another's poison. To me, Sly's photoshoots for 8 Days and Lime show a bemused kid who is out of his element. I understand that part of his appeal is his "blur neighbourhood boy" persona, but could he be more unremarkable or ordinary? I grant that he may be musical and perhaps even a good song-writer. But unless he is John Lennon or Elton John, that isn't enough to overcome, for me, the complete lack of charisma and the poseur wannabe rock stylings. I think his "dirtied up" rock vocals are annoying and affected, and worst, highlight his vocal shortcomings (namely weak lower register and lack of support towards the end of long sustained lines). I liked him best when he was low-key and sincere and sung to his strengths. (By the way, for a taste of what a real Idol "rocker" is like, watch Bo Bice on American Idol 4. He puts Sly's forced sing-screaming into proper perspective.)
Basically, this "scandal" is a whole lot of hot-air about 2 people whom we will likely not remember in 10 years. But who knows, I may be wrong. Maybe 10 years from now, this will be a Trivia Pursuit question about Mandopop superstar Sylvester Sim and his rock-goddess ex-wife, Maia Lee.

PS. That said, I do wish them both well. I think their current fame is out of proportion to their talent and star-potential, but I could say that about many famous people in the pop music world. F4, anyone? The Spice Girls? Or for that matter, Ashlee Simpson? These 2 are certainly no worse than these luminaries of recent pop culture. I think they will both find success in music, at least for a while, through a combination of hard work, good luck and most importantly, clever marketing and wide-spread publicity. That's how Singapore Idol made them famous, in the first place. It's a proven formula, and whoever can milk it, all the more power to them.

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